TRANSPARENT PAINT DATA · 40 RECORDS

Open paint mix reference library

Every record exposes its target, measured parts, method, review date, limitations, and evidence status. The current collection consists of pigment-aware editorial starting points. None are presented as brand-calibrated physical measurements until a complete studio test is attached.

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READ THE EVIDENCE FIRST

Three labels, three different claims

A useful database should make uncertainty visible. Mixora will only upgrade a record when the required evidence exists.

Editorial starting point

Ready for a first swatch

A pigment-aware formula written for a controlled first test. It has not been verified across named commercial paints.

Calculator prediction

Computed, then checked

A numerical estimate from selected digital paint records. A dried physical swatch is still required.

Studio tested

Named and reproducible

A named brand, pigment set, medium, surface, wet observation, and dry observation have been recorded.

BROWSE THE RECORDS

Ratios with a path back to the full reasoning

Use one repeatable unit for each part. Multiply the whole recipe when a fraction is too small to measure reliably.

#C86F55

Editorial starting point

Terracotta

A sun-warmed red-orange earth for pottery, architecture, leather, and natural skin accents.

4 × Cadmium Red Medium2 × Yellow Ochre1 × Titanium White0.5 × Burnt Umber

mixora-terracotta-v1Reviewed 2026-09-24

#9CAF88

Editorial starting point

Sage Green

A quiet gray-green suited to foliage, interiors, uniforms, and understated natural palettes.

5 × Titanium White2 × Yellow Ochre1 × Ultramarine Blue0.25 × Burnt Umber

mixora-sage-green-v1Reviewed 2026-09-24

#7A263A

Editorial starting point

Burgundy

A dark wine red with controlled violet depth for fabric, flowers, leather, and shadows.

5 × Quinacridone Magenta1 × Ultramarine Blue1 × Burnt Umber1 × Cadmium Red Medium

mixora-burgundy-v1Reviewed 2026-09-24

#D9A07F

Editorial starting point

Warm Light Skin Tone

A flexible warm light midtone intended as a portrait starting point, not a universal skin color.

6 × Titanium White2 × Yellow Ochre1 × Cadmium Red Light0.5 × Burnt Umber

mixora-warm-skin-tone-v1Reviewed 2026-09-24

#C9938C

Editorial starting point

Cool Light Skin Tone

A muted rosy midtone for cool portrait passages and indirect light.

6 × Titanium White1.5 × Burnt Sienna0.5 × Quinacridone Magenta0.25 × Ultramarine Blue

mixora-cool-skin-tone-v1Reviewed 2026-09-24

#767A3D

Editorial starting point

Olive Green

A yellow-led natural green for foliage, military subjects, landscapes, and aged surfaces.

4 × Yellow Ochre1 × Ultramarine Blue1 × Burnt Umber

mixora-olive-green-v1Reviewed 2026-09-24

#2F7F7A

Editorial starting point

Teal

A medium dark blue-green balanced between marine blue and green.

3 × Phthalo Blue (Green Shade)2 × Phthalo Green1 × Titanium White0.25 × Burnt Umber

mixora-teal-v1Reviewed 2026-09-24

#44B7B1

Editorial starting point

Turquoise

A bright, light blue-green for water, jewelry, decorative accents, and tropical palettes.

5 × Titanium White1 × Phthalo Blue (Green Shade)0.5 × Phthalo Green0.25 × Hansa Yellow Light

mixora-turquoise-v1Reviewed 2026-09-24

#263B59

Editorial starting point

Navy Blue

A restrained near-black blue for fabric, shadows, graphic accents, and night scenes.

5 × Ultramarine Blue2 × Burnt Umber1 × Phthalo Blue

mixora-navy-blue-v1Reviewed 2026-09-24

#C58F91

Editorial starting point

Dusty Rose

A softened rose pink for florals, textiles, interiors, and gentle portrait transitions.

5 × Titanium White1 × Quinacridone Magenta0.5 × Yellow Ochre0.25 × Burnt Umber

mixora-dusty-rose-v1Reviewed 2026-09-24

#C59B32

Editorial starting point

Mustard Yellow

A deep, muted yellow for vintage palettes, fabric, foliage, and food illustration.

5 × Yellow Ochre2 × Cadmium Yellow Deep0.5 × Burnt Sienna0.1 × Ultramarine Blue

mixora-mustard-yellow-v1Reviewed 2026-09-24

#C45D2C

Editorial starting point

Burnt Orange

A dark, earthy orange for autumn foliage, rusted surfaces, ceramics, and warm accents.

4 × Cadmium Orange2 × Burnt Sienna1 × Yellow Ochre0.2 × Ultramarine Blue

mixora-burnt-orange-v1Reviewed 2026-09-24

#E77C69

Editorial starting point

Coral

A lively pink-orange balanced for florals, graphics, marine subjects, and warm highlights.

4 × Titanium White2 × Cadmium Red Light1 × Cadmium Orange0.25 × Yellow Ochre

mixora-coral-v1Reviewed 2026-09-24

#E49A86

Editorial starting point

Salmon

A softened orange-pink for skin accents, florals, food, and warm decorative palettes.

6 × Titanium White1.5 × Cadmium Red Light0.75 × Yellow Ochre0.25 × Burnt Sienna

mixora-salmon-v1Reviewed 2026-09-24

#A89AC8

Editorial starting point

Lavender

A cool, subdued violet for flowers, distant planes, interiors, and soft shadow color.

6 × Titanium White1 × Ultramarine Blue0.75 × Quinacridone Magenta0.1 × Yellow Ochre

mixora-lavender-v1Reviewed 2026-09-24

#6F3E63

Editorial starting point

Plum

A dark red-violet with earthy restraint for fruit, fabric, florals, and dramatic shadows.

4 × Quinacridone Magenta2 × Ultramarine Blue1 × Burnt Umber0.5 × Titanium White

mixora-plum-v1Reviewed 2026-09-24

#493342

Editorial starting point

Aubergine

A near-black eggplant violet that keeps a subtle red-purple identity in the light.

3 × Ultramarine Blue3 × Quinacridone Magenta2 × Burnt Umber

mixora-aubergine-v1Reviewed 2026-09-24

#9A9186

Editorial starting point

Warm Gray

A useful brown-violet gray for stone, interiors, portrait grounds, and soft shadows.

6 × Titanium White1 × Burnt Umber0.5 × Ultramarine Blue0.1 × Quinacridone Magenta

mixora-warm-gray-v1Reviewed 2026-09-24

#89939B

Editorial starting point

Cool Gray

A restrained blue-gray for metal, sky, architecture, cool shadows, and interface illustration.

7 × Titanium White1 × Ultramarine Blue0.75 × Burnt Umber0.05 × Phthalo Green

mixora-cool-gray-v1Reviewed 2026-09-24

#3F4140

Editorial starting point

Charcoal

A deep neutral with more life than tube black for shadows, line work, stone, and metal.

3 × Ultramarine Blue3 × Burnt Umber0.5 × Alizarin Crimson

mixora-charcoal-v1Reviewed 2026-09-24

#F1E2BE

Editorial starting point

Cream

A gentle warm off-white for highlights, interiors, paper, ceramics, and vintage surfaces.

12 × Titanium White0.75 × Yellow Ochre0.1 × Burnt Sienna

mixora-cream-v1Reviewed 2026-09-24

#E9DFC8

Editorial starting point

Ivory

A low-chroma warm white for bone, stone, fabric, paper, and subtle highlight variation.

14 × Titanium White0.5 × Yellow Ochre0.1 × Burnt Umber

mixora-ivory-v1Reviewed 2026-09-24

#C59A45

Editorial starting point

Yellow Ochre

A practical approximation of classic ochre using a basic palette when a single-pigment earth yellow is unavailable.

5 × Cadmium Yellow Deep1.5 × Burnt Sienna0.15 × Ultramarine Blue0.5 × Titanium White

mixora-yellow-ochre-v1Reviewed 2026-09-24

#A94F32

Editorial starting point

Rust

A dark iron-oxide red-orange for weathering, brick, leather, soil, and autumn subjects.

5 × Burnt Sienna1 × Cadmium Red Medium1 × Yellow Ochre0.25 × Ultramarine Blue

mixora-rust-v1Reviewed 2026-09-24

#315B45

Editorial starting point

Forest Green

A dark, restrained green for dense foliage, uniforms, landscapes, and natural shadows.

3 × Phthalo Green2 × Yellow Ochre1 × Ultramarine Blue1 × Burnt Umber

mixora-forest-green-v1Reviewed 2026-09-24

#A8D8BC

Editorial starting point

Mint Green

A light, fresh blue-green for decorative work, highlights, ceramics, and stylized foliage.

8 × Titanium White0.75 × Phthalo Green0.25 × Phthalo Blue0.1 × Yellow Ochre

mixora-mint-green-v1Reviewed 2026-09-24

#6CA7D6

Editorial starting point

Cerulean Sky

A clear daylight blue suitable for open sky, water, painted signage, and cool highlights.

5 × Titanium White2 × Cerulean Blue0.25 × Ultramarine Blue

mixora-cerulean-sky-v1Reviewed 2026-09-24

#64758C

Editorial starting point

Slate Blue

A gray blue for stone, distant landscape, metal, textiles, and cool architectural color.

4 × Titanium White2 × Ultramarine Blue1 × Burnt Umber0.25 × Phthalo Blue

mixora-slate-blue-v1Reviewed 2026-09-24

#704E35

Editorial starting point

Sepia Brown

A transparent-looking warm dark brown for drawing effects, glazing, wood, leather, and aged imagery.

5 × Burnt Umber2 × Burnt Sienna0.5 × Ultramarine Blue0.5 × Yellow Ochre

mixora-sepia-brown-v1Reviewed 2026-09-24

#252625

Editorial starting point

Chromatic Black

A near-black mixed without tube black, designed to retain adjustable warm or cool undertones.

3 × Ultramarine Blue3 × Burnt Umber0.25 × Quinacridone Magenta

mixora-chromatic-black-v1Reviewed 2026-09-24

#A49768

Editorial starting point

Khaki

A subdued yellow-brown neutral for fabric, uniforms, dry grass, interiors, and weathering.

4 × Yellow Ochre2 × Titanium White1 × Burnt Umber0.25 × Ultramarine Blue

mixora-khaki-v1Reviewed 2026-09-24

#275B63

Editorial starting point

Petrol Blue

A dark, muted cyan-blue for interiors, vehicles, fashion, water, and graphic palettes.

4 × Phthalo Blue1 × Phthalo Green1 × Burnt Umber0.5 × Titanium White

mixora-petrol-blue-v1Reviewed 2026-09-24

#E6C2BC

Editorial starting point

Blush Pink

A very light, warm neutral pink for subtle florals, portraits, interiors, and porcelain.

12 × Titanium White0.5 × Quinacridone Magenta0.25 × Yellow Ochre0.05 × Burnt Umber

mixora-blush-pink-v1Reviewed 2026-09-24

#D8C6A8

Editorial starting point

Beige

A light, quiet sand neutral for walls, stone, fabric, grounds, and warm atmospheric passages.

8 × Titanium White1 × Yellow Ochre0.35 × Burnt Umber0.05 × Ultramarine Blue

mixora-beige-v1Reviewed 2026-09-24

#8B7D72

Editorial starting point

Taupe

A medium gray-brown with a slight violet cast for interiors, stone, fur, fabric, and subdued shadows.

4 × Titanium White2 × Burnt Umber0.5 × Ultramarine Blue0.15 × Quinacridone Magenta

mixora-taupe-v1Reviewed 2026-09-24

#1E8A63

Editorial starting point

Emerald Green

A saturated, cool jewel green for botanical accents, glass, fabric, signage, and high-chroma focal notes.

4 × Phthalo Green (Blue Shade)1 × Hansa Yellow Light0.25 × Phthalo Blue (Green Shade)0.5 × Titanium White

mixora-emerald-green-v1Reviewed 2026-09-24

#3454A4

Editorial starting point

Royal Blue

A strong middle blue with a restrained violet bias for fabric, heraldry, graphics, flowers, and painted accents.

5 × Ultramarine Blue1 × Phthalo Blue (Green Shade)1 × Titanium White0.1 × Quinacridone Magenta

mixora-royal-blue-v1Reviewed 2026-09-24

#E7AD88

Editorial starting point

Peach

A light orange-pink for fruit, florals, illustration, warm plaster, and selected portrait passages.

7 × Titanium White1 × Cadmium Red Light1 × Yellow Ochre0.15 × Burnt Sienna

mixora-peach-v1Reviewed 2026-09-24

#6E2F36

Editorial starting point

Maroon

A dark, brown-led red for leather, cloth, wood accents, architecture, and warm chromatic shadows.

4 × Cadmium Red Deep2 × Burnt Umber0.5 × Quinacridone Magenta0.2 × Ultramarine Blue

mixora-maroon-v1Reviewed 2026-09-24

#6946A5

Editorial starting point

Violet

A clear middle violet for flowers, fabric, reflected light, fantasy subjects, and controlled complementary mixing.

3 × Ultramarine Blue2 × Quinacridone Magenta0.5 × Titanium White

mixora-violet-v1Reviewed 2026-09-24

HOW A RECORD BECOMES STUDIO TESTED

Keep the brand, pigment code, surface, medium, and dry result together

A valid test records the exact paints, batch ratio, primer or ground, application thickness, medium, lighting, wet appearance, dry appearance, and date. A color-distance number can support the observation, but it cannot replace the physical sample or the conditions under which it was measured.